DECEMBER 2010
(After Cindy Sherman)
Thanks to the colaboration of Raki Ciliberti
NOVEMBER 2010
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| 11/25 International Day for the Elimination of Violence against Women. Performance in Morón. |
I delivered texts with the next poem:
Because I am a woman some people tell me things at the streets
Because I am a woman I have to censure the clothes that i choose to wear
Because I am a woman some people give me a bad look and stare
Because I am a woman I'm afraid of staying at the corner
Because I am a woman a doctor didn't think that it was inappropriate to cross the line in my body
Because I am a woman I find it difficult to find a job without being exploited
Because I am a woman most of the people think that i like to suck cocks
Because I am a woman I have to take care of not being seen with more than a man
Because I am a woman I have to think if I smile or not, when and to whom
Because I am a woman repeatedly I was denigrated
Because I am a woman I am submitted to some social conventions
Because I am a woman at home they send me to wash the dishes
Because I am a woman they make invisible my lesbian relations
Because I am a woman I get insulted saying that I am anything but a woman
Because you are a woman you are not exempt of excercising violence against me because I am a woman too.
I AM WOMAN, AND I FEEL YOUR VIOLENCE
NOVEMBER 2010
The first existencialist text-blog-show.
If you didn't read the first season, you are in time do click here.
http://www.effyminetheblogshow.blogspot.com/
OCTOBER 2010
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| "My Costume" Installation made with the clothes that I used in the performance that i made the following day. |
OCTOBER, 30 - 2010
It was an installation that occupied three rooms and it was divided chronologically in: PAST, PRESENT y FUTURE
Room PAST (rupture):
Work, "Seed-Identity"
Work, "Seed-Identity"
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| See more about PAST |
Room PRESENT (movement):
Performance, "Extension of the self-portrait"
Performance, "Extension of the self-portrait"
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| See more about PRESENT |
Room FUTURE (art):
Playful work, "Try me"
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| See more about FUTURE |
Estimated number of strangers with whom I interacted: 300 persons.
OCTOBER 2010
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| Interactive work |
Game: Become aware
The work consists of a collection of 40 cards divided into two decks:
COLLECTIVE UNCONSCIOUS and COLLECTIVE AWARENESS.
The same are entrusted to those who want to participate with instructions.
The same are entrusted to those who want to participate with instructions.
WARNING: The images, words and/or content of this game may not be suitable for all players because it rude lenguage, sexual pictures, and psychological violence.
Do you wanna play?
SEPTEMBER 2010
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| Photo-Performance |
The works says: "Effýmia / A new artist needs to use the bathroom."
Thanks to María Laura Voskian
Thanks to María Laura Voskian
JULY 2010
"To touch or not to touch"
In a round wooden base that represents the world as we know today, the cones that are more that resemble each other more and seem to not have any notorious different between themself, they are grouped around a "leader" that is the perfection and the closest thing to what we concibe as "ideal" represented in a cone without failure or textures. Out of this circle of cones apparently equals there are dispersed and isolated the cones with notorious differences both from the others as between them. This cones without enamel represents the false minorities: the homosexuals, the blacks, the Jews, the transgender, the immigrant, the people with disabilities, mentally ill, the differents.
Around the group that represents the majority it is written the mott: "Look but don't touch.". Around the leader there is written a little smaller: "Admire it but don't think it." Around the different cones is written sligthly "You judge them but you don't know them." The main title of the work: "To touch or not to touch" – in alusion to the famous "To be or not to be" – encourages the viewer to choose between just look superfluous a world divided between the equals and the differents, or interact and discover that when you lift up the cones that seems equals there are notorious differences in their interior (like texture and enamel), and the cones that seems differents have in their interior the same that excludes from being like the others: the superfluous simplicity so overrated and enameled. With this I not only try to point that we prejudice those who seems differents, we also prejudice those that are considered the "normal/equals", and if maybe we y que if we could overcome this fear of getting to know another, and we off-at least one minute of ourselves, we could discover that we are all equally different, and not so different as to stop being the same...
JULY 2010
The presentation was a performance where I used my body. The works were printed on my shirt with diamond shape. I gave to the participants frames of the photo with a heart shape, that combined to the works they transform in arrows that indicated a way up or down.
"Extension of the self-portrait"
Presentation made at the Univerisity (IUNA), work with the grayscale about a photo of a space.
I wanted to take a picture of some place of the University that I like, and instinctively I take a picture of one of the passages that I often cross. Therefore I wondered myself, why do I like more this place than the cafeteria where I use to sit between classes?” Maybe it's because a hallway it is not a place to sit or stay, it is a place to transit, and that's how I feel today: in transition state, man for many, woman for some, experiencing changes in my body. It's for that I consider this work an extension of the self-portrait, because it represents my actual status, and I print it on myself, because – beyond my process as an artist and as a woman – I also know that everybody cross infinite hallways that promise take us to those places where we can sit and stay.
JULY 2010
"Try me"
Installation made for the Universtiy, work of colors based on a picture of a space. To this installation you could enter after participate on the performance.
The works seemed to have the form of dresses, for which the presentation consisted of a collection. There was a section where the public could try the different works hung on hangers on an asexual body, making installation a playful proposal.
The works seemed to have the form of dresses, for which the presentation consisted of a collection. There was a section where the public could try the different works hung on hangers on an asexual body, making installation a playful proposal.
JUNE 2010
"Human Carpet"
"You can see us as an obstacle (and avoid us)
...or you can see us as a way to develop your creativity.
(and transit from end to end this human carpet in the way that best represents your sense of spontaneity)"
Performance made at the entrance of the IUNA. (15 minutes)
Thanks to everyone who provided me the bodies and to who share the energy, and made possible a little idea that i had while i was travelling on the bus.
JUNE 2010
"Lauchi by Effýmia"
JUNE 2010
"Seed-Identity"
(PAST)
(PAST)
Presentation made at the University (IUNA), work with points and lines about a self-portrait.
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